Sexual Pleasure, Opportunity and Pornography in Tudor Times.
What did the Tudors get up to in bed ? Or out of it
? While the answer may seem obvious, the sexual practices of five centuries ago
were not necessarily the same as those today. The basic act remains the same,
as testified by the proliferation of Tudor births and continuation of the human
race, but the choice of partners, location, timing and issues of sexual
etiquette, may indicate historical differences.
As might be expected also, experiences in England did not necessarily match those in Europe. The court of Francis I of France, Henry VIII’s great rival, was renowned for its debauchery, while Henry himself was consistently discreet and secretive about his liaisons. In 1524, the Italian Marcantonio Raimondi published “I Modi,” an explicit, illustrated manual of 16 different sexual poses. These were based on a series of paintings for a Mantuan palace but provoked condemnation because they were publicly available, rather than confined to the privacy of the walls of the Palazzo Te. It provoked such a scandal that Raimondi was imprisoned by the Pope and almost all copies were destroyed. This highlights key aspects of sixteenth century sexuality, in terms of its acceptability, exclusivity and the survival of printed material. In England, lewd images appear to have been used more as a deterrent, coupled with a religious message, as in sexual depictions of naughty pilgrims, or a literary satire, as found in Chaucer, rather than for overt sexual purposes. Arguably, the evidence of a culture of temporary sexual images, is unlikely to have survived anyway and, then as now, the discrepancy between the idealised and the reality, is difficult to measure.
As might be expected also, experiences in England did not necessarily match those in Europe. The court of Francis I of France, Henry VIII’s great rival, was renowned for its debauchery, while Henry himself was consistently discreet and secretive about his liaisons. In 1524, the Italian Marcantonio Raimondi published “I Modi,” an explicit, illustrated manual of 16 different sexual poses. These were based on a series of paintings for a Mantuan palace but provoked condemnation because they were publicly available, rather than confined to the privacy of the walls of the Palazzo Te. It provoked such a scandal that Raimondi was imprisoned by the Pope and almost all copies were destroyed. This highlights key aspects of sixteenth century sexuality, in terms of its acceptability, exclusivity and the survival of printed material. In England, lewd images appear to have been used more as a deterrent, coupled with a religious message, as in sexual depictions of naughty pilgrims, or a literary satire, as found in Chaucer, rather than for overt sexual purposes. Arguably, the evidence of a culture of temporary sexual images, is unlikely to have survived anyway and, then as now, the discrepancy between the idealised and the reality, is difficult to measure.
One key difference between past and present views of sex was that of pleasure. Technically,
this was defined at every level by men. Of course, we are looking back through the feminist lens, but that does not mean that women in the past were not sexually active or fulfilled. That fulfilment may have come about within specific perimeters, though. Women were considered to be desirous of
sexual activity at all times; to deny them it could cause them extreme
ill-health and even prove fatal. Virginal females would suffer the terrible green
sickness alluded to by Shakespeare, with vapours rising from the womb and causing dizziness or fitting; the obvious cure was marriage,
as an end to lawful sexual satisfaction. In the modern mind, it creates a comic impression of rampant predatory females seeking to alleviate their symptoms whenever or wherever possible. Some of the contemporary cures outlined in leechbooks and medical works of the era suggest that for some medieval and Tudor males, this was considered a real danger. It also sheds light on the nature of medieval and Tudor attacks upon unpopular or transgressing women; slurring their sexuality, often in connection with witchcraft practices, was a predictable method of attack.
The exercise of female sexuality lay within male hands, metaphorically and literally. A man had to be wary of women using witchcraft or subtle means of seduction in order to get them into bed. The reason for this was partly religious, derived from their inheritance from Eve but also physiological. As "imperfect men", their wombs required the balancing presence of a male member and seed in order to be complete; their imperative was to produce children and this necessitated the sexual act. It was up to the man to resist and control these impulses in their wives and dependent females. Suitable marriages should be made for daughters, sisters and other relatives, for the benefit of their health. The female orgasm was understood in the context of this “completion” of a woman by a man; female pleasure was deemed essential for conception to take place. In this sense, the Tudors appear more enlightened than the Victorians, in promoting the enjoyment of both parties, even if the patriarchal definition and control of the act appears rather draconian to a modern reader. However, the reverse side of this could produce dire consequences for women. In cases of rape, men could claim to be “incited” to act by a desperate female, while any act of violation that resulted in pregnancy immediately invalidated itself. If a woman had conceived, she must have enjoyed herself, therefore no rape had taken place. Few cases of rape appear in the late Sixteenth century Assize court records and these are usually of minors or spinsters. Successful convictions for the violation of a married woman, or of a man’s own wife, hardly ever appear. In the 1558 case heard by the East Greenwich Assizes, William Norris was indicted for the rape of Edmund Dalton’s wife Joan, but frustratingly, the verdict is illegible!
The exercise of female sexuality lay within male hands, metaphorically and literally. A man had to be wary of women using witchcraft or subtle means of seduction in order to get them into bed. The reason for this was partly religious, derived from their inheritance from Eve but also physiological. As "imperfect men", their wombs required the balancing presence of a male member and seed in order to be complete; their imperative was to produce children and this necessitated the sexual act. It was up to the man to resist and control these impulses in their wives and dependent females. Suitable marriages should be made for daughters, sisters and other relatives, for the benefit of their health. The female orgasm was understood in the context of this “completion” of a woman by a man; female pleasure was deemed essential for conception to take place. In this sense, the Tudors appear more enlightened than the Victorians, in promoting the enjoyment of both parties, even if the patriarchal definition and control of the act appears rather draconian to a modern reader. However, the reverse side of this could produce dire consequences for women. In cases of rape, men could claim to be “incited” to act by a desperate female, while any act of violation that resulted in pregnancy immediately invalidated itself. If a woman had conceived, she must have enjoyed herself, therefore no rape had taken place. Few cases of rape appear in the late Sixteenth century Assize court records and these are usually of minors or spinsters. Successful convictions for the violation of a married woman, or of a man’s own wife, hardly ever appear. In the 1558 case heard by the East Greenwich Assizes, William Norris was indicted for the rape of Edmund Dalton’s wife Joan, but frustratingly, the verdict is illegible!
The age of consent in Tudor times was fourteen for
girls and twelve for boys, although this was not enforced by any law. Few
eyebrows were raised when the children of the aristocracy were betrothed at the
ages of three or four, or were raised in the households of their in-laws. Consummation
would not take place until the pair had reached puberty, although this, like fertility, could differ vastly. Equally strange
partnerships were made at the other end of the age bracket: one of Elizabeth Wydeville's brothers married a wealthy Duchess in her eighties, when he was only in his
twenties. History does not record what happened on their wedding night. Question
marks also surround the consummation of some notorious teenage marriages. Did
Catherine of Aragon sleep with her first husband, Prince Arthur ? Some
historians are convinced she did, while others are equally convinced otherwise.
Only two people knew for sure. The closest we can come to the truth is
Catherine’s later admission that they shared a bed on about seven occasions but
that “full” consummation had not taken place, assuming the virginal
fifteen-year-old was fully versed in these areas. Perhaps there was some sort
of foreplay or fumbled teenage attempts at intercourse that barely constituted
the act. After all, they had reason not to believe they had time on their side:
neither could have known Arthur would die only six months later and Catherine
would go on to marry Henry VIII.
Lady Jane Grey and Guildford Dudley, two other naïve teenagers, were married on 21 May 1553. Jane was then pronounced Queen on 9 July, hardly giving them any time to discover their sexuality, if the marriage was consummated at all. There is also the first marriage of Anne Neville, Queen of Richard III, which was probably consummated when she was left a widow at fourteen in 1471, as was the match of Henry VIII’s illegitimate son Henry Fitzroy to Lady Mary Howard in 1533, also aged fourteen. Then there was the widowed virgin Christina of Denmark, whom Henry VIII wanted to marry in 1538. The teenager refused him, rumoured to have said that if she had two heads, she would gladly spare him one. However, as a rule, remarriage for those widowed in their teens was considered vital for their health. Christina took a second husband at the age of twenty and bore him three children.
Lady Jane Grey and Guildford Dudley, two other naïve teenagers, were married on 21 May 1553. Jane was then pronounced Queen on 9 July, hardly giving them any time to discover their sexuality, if the marriage was consummated at all. There is also the first marriage of Anne Neville, Queen of Richard III, which was probably consummated when she was left a widow at fourteen in 1471, as was the match of Henry VIII’s illegitimate son Henry Fitzroy to Lady Mary Howard in 1533, also aged fourteen. Then there was the widowed virgin Christina of Denmark, whom Henry VIII wanted to marry in 1538. The teenager refused him, rumoured to have said that if she had two heads, she would gladly spare him one. However, as a rule, remarriage for those widowed in their teens was considered vital for their health. Christina took a second husband at the age of twenty and bore him three children.
Sex was also dictated by the cycles of the year. For
the religious Tudor, certain dates were off limits, such as Sundays, saints’
days and the forty days of Lent: those who transgressed were supposed to do
penance and not receive communion. But just how could a priest know, looking out
over the faces of his flock, exactly what they had been up to the night before?
Sex during menstruation was frowned on as this was supposed to produce children
who were red-haired and puny and “depraved” practices between man and wife
could result in birth abnormalities. Restraint was counselled, but in reality,
withdrawal and folkloric methods of birth control were employed, although as
the baptismal records attest, restraint was often thrown to the wind! The
relaxation of the usual routine could promote sexual encounters.
Fairs and festivals provided many couples with an opportunity for intercourse, when the carnival attitude and possible higher consumption of alcohol fuelled behaviour. Listed in the Essex Assize court records, in 1582, the promiscuous and pregnant Susan Babye lay with a John Fletcher at Witham fair and a William Dagnett on Lady Day. She then went on to sleep with Richard Howe at Midsummer, when the warm longer nights allowed for outdoor encounters. In 1589, Alse Mathews had sex with a servant named Davie Cox at a gate in a field, at the Feast of Pentecost. Agnes Parette and John Eavens of Earl Colne slept together twice at the start of the harvest season; by the end of it they were probably too tired ! Parish records in Essex confirm that fewer live births took place nine months after the harvest period, during May and June. The peak time for conception was early summer, with the highest percentage of births following next spring, in March and April. The cycles of the church and land certainly had an impact on when the Tudors had sex!
Fairs and festivals provided many couples with an opportunity for intercourse, when the carnival attitude and possible higher consumption of alcohol fuelled behaviour. Listed in the Essex Assize court records, in 1582, the promiscuous and pregnant Susan Babye lay with a John Fletcher at Witham fair and a William Dagnett on Lady Day. She then went on to sleep with Richard Howe at Midsummer, when the warm longer nights allowed for outdoor encounters. In 1589, Alse Mathews had sex with a servant named Davie Cox at a gate in a field, at the Feast of Pentecost. Agnes Parette and John Eavens of Earl Colne slept together twice at the start of the harvest season; by the end of it they were probably too tired ! Parish records in Essex confirm that fewer live births took place nine months after the harvest period, during May and June. The peak time for conception was early summer, with the highest percentage of births following next spring, in March and April. The cycles of the church and land certainly had an impact on when the Tudors had sex!
For the unmarried, finding the opportunity posed a
problem. Sleeping habits were determined by class and dictated sexual practices.
Tudor spouses of high class did not usually share beds. It was a sign of status
that a Lord and Lady had their own household under the same roof, which meant
separate bedrooms. The Lord would usually take the initiative and visit his
wife in her chamber for sex, before returning to his own bed. However, this
seems rather formal and it is pretty unlikely that the rule was always
followed; encounters must have taken place in other locations such as hunting
lodges, inns or whenever opportunities arose. Perhaps they were even initiated
by women and perhaps some men even enjoyed this!! The high concentration of
servants in Tudor households made for little privacy but lower down the social
scale, there may have been fewer prying eyes.
Undoubtedly sex took place in shared spaces, such as the dormitories of apprentices and servants, such as in the early teenage experiences of Catherine Howard., resident in the large household of her grandmother. In another story from the Assize Courts, Joan Collen was a travelling servant who sold butter in the 1590s. Drinking one day in the King’s Head tavern at Limehouse, she met a William Rothman, who desired her and wanted to take a room in the inn in order to bed her but the time and place “would not serve.” Later, they slept together in a field, an orchard and a stable. This came to light when she conceived an illegitimate child. Among families sharing bedrooms and small houses, the couplings of adults must have been a routine matter of biology, just as communal and public as washing and defecating. The act must have taken place with less embarrassment, than in our post-Victorian era.
Undoubtedly sex took place in shared spaces, such as the dormitories of apprentices and servants, such as in the early teenage experiences of Catherine Howard., resident in the large household of her grandmother. In another story from the Assize Courts, Joan Collen was a travelling servant who sold butter in the 1590s. Drinking one day in the King’s Head tavern at Limehouse, she met a William Rothman, who desired her and wanted to take a room in the inn in order to bed her but the time and place “would not serve.” Later, they slept together in a field, an orchard and a stable. This came to light when she conceived an illegitimate child. Among families sharing bedrooms and small houses, the couplings of adults must have been a routine matter of biology, just as communal and public as washing and defecating. The act must have taken place with less embarrassment, than in our post-Victorian era.
Servants often slept in their masters’ or mistresses’
rooms on truckle beds, or outside their doors, in kitchens, halls, corridors or
wherever space dictated. These were purely for sleep and were stored away
during the day, forcing their occupants to find other opportunities for
intercourse while their employers were out. In 1600, Joan Loveday conceived a
child after a single encounter with a fellow servant Richard Bettes, in her
master’s chamber, which was a common location for illicit sex. Sometimes
masters made complaint against their servants for lewdness, as Martin Skynner
did against his man Thomas Yeldham in 1582, supported by his other employees. On
some cases, the master was to blame. In 1591, Bridget Hide described how her
master came to her bed intent on “abusing” her although she managed to repel
him; however, he later “won her to his will.” Lower class women were supposed
to be more “earthy” and sexually gratifying than their high-class rivals; aristocratic
women were often “off-limits” due to pregnancy and considered essential for
procreation whilst short-term mistresses and casual encounters for pleasure
were made with “base” women. Henry VIII may have had a number of these, now
lost to history, procured by Sir William Compton in his London home. One
anecdote survives from 1537, listed in the Court Rolls, when he took a fancy to a young woman out riding
with her sweetheart and established her as his mistress. Edward IV was reputed to
have shared his mistresses with his son-in-law Dorset and best friend Hastings,
especially the notorious “Jane Shore.”
With imperfect contraception, pregnancy was an inevitable and frequent outcome. For those who wished to become parents, contemporary manuals suggested that the best time for conceiving children was in the middle of the night, between the recommended first and second sleeps, so some must have taken a chance whilst others around them slept. However, illegitimacy may have been higher than we suspect. Examinations of parish records from the
1530s through to 1600 indicate only a couple of cases a year but the real figure,
including abortions and stillbirths, must have been higher. Some women clearly took steps to ensure the pregnancy did not come to term or that the baby was abadnoned or killed. Cases of
infanticide are frequent in Assize court rolls, often resulting in
conviction and the passing of the death sentence upon the mother. Her only plea was pregnancy, which could delay her sentence, although justice still needed to have been seen to be enacted.
Unlawful sexual behaviour and its outcomes were considered to be the business of the whole parish. Some Tudor couples openly lived together or attempted it in secret, like the widow Rebecca Purkas and William Hyde of Thaxted, who were only "discovered" in 1592, when Rebecca gave birth. Thomas Lynwood confessed in 1576 to deserting his three children and wife of seventeen years to live “a wicked and incontinent life” with a widow named Agnes Cawsey. In many few cases, villagers, gathered together in tithings, accused such couples before the justices; the punishment was often a fine or public whipping. Immorality was not acceptable once it became public knowledge or the arrival of a child necessitated funds from the parish coffers. Financial considerations often outweighed condemnation out of prudery. The Tudors were most certainly not prudish or precious when it came to sex and bodily functions.
Unlawful sexual behaviour and its outcomes were considered to be the business of the whole parish. Some Tudor couples openly lived together or attempted it in secret, like the widow Rebecca Purkas and William Hyde of Thaxted, who were only "discovered" in 1592, when Rebecca gave birth. Thomas Lynwood confessed in 1576 to deserting his three children and wife of seventeen years to live “a wicked and incontinent life” with a widow named Agnes Cawsey. In many few cases, villagers, gathered together in tithings, accused such couples before the justices; the punishment was often a fine or public whipping. Immorality was not acceptable once it became public knowledge or the arrival of a child necessitated funds from the parish coffers. Financial considerations often outweighed condemnation out of prudery. The Tudors were most certainly not prudish or precious when it came to sex and bodily functions.
Pornography has been around since ancient times;
fine Roman examples are particularly abundant on the walls of surviving
buildings. Beyond Raimondi’s attempt in 1524, very few images of this type
appear to have survived from the sixteenth century. It is unclear whether English
Tudor pornography existed in the form we would understand although nudity and
depravity were commonly depicted. Many images of the naked female form graced
artwork, tapestries, carvings and sculptures, but were often illustrative of
moral, religious or historical tales, rather than as direct titillation. When “lewd” images
occur, of males and females, the individuals are usually being punished in some
circle of hell and are intended as a religious warning. The very real fear of
damnation would probably have put a dampener on any excitement such pictures
may have aroused. Yet they clearly depict the extremes of contemporary practices,
or artistic perceptions of them in the brothels and stew houses along the South
bank of the Thames. The advent of the printing press, set up by Caxton in the
precincts of Westminster Palace in the 1480s, could have allowed for the
greater distribution of images and made them more accessible, immediate and private. This would have allowed for the development
of pornography, although almost nothing of this type survives; instead, sexual
and misogynistic jokes, poems and puns appear to fill this gap, along with
their illustrations of wanton or semi-clad females. The thrill appears to have
been found in female naughtiness and the need for chastisement. Little changes
there. Graphic descriptions in works by Chaucer, Mandeville, Boccaccio, Aretino
and others, point to a culture of sexually provocative language; it was an oral
rather than a visual tradition of pleasure. Otherwise, the history of surviving
English pornographic imagery appears empty until the seventeenth century.
Whilst certain codes of sexual conduct prevailed
among the Tudors, it is clear that their behaviour did not always neatly
conform. Where and when they gave in to their natural urges and the resulting
consequences were very much a function of their class and gender. Where their
practices may most differ from modern behaviour, is in the lack of privacy that
must have affected attitudes towards copulation. Sex was likely to have been as
commonplace in many communities as other bodily functions, although once the
results of it became apparent, the participants were called to account.
However, it is indicative of the Tudor attitude that this was usually in order
to provide for an illegitimate child rather than to punish those engaged in the
act.
No comments:
Post a Comment